Among his most popular works, the Fourth Symphony is a meticulously structured meditation on Fate in four movements written at a time of great emotional turmoil. As Tchaikovsky admitted it is autobiographical; turbulent but finally triumphant; reflecting his recent tribulations as well as his eventual recovery. The principal idea of the work is the implacability of Fate, a force that “poisons the soul” by impeding the individual’s quest for peace and fulfilment.
In a glorious burst of activity, Mozart composed twelve superlative piano concertos from February 1784 to December 1786. They were deeper in feeling, broader in scope and richer in colour than any he had written before. No.21 is built on a fully symphonic scale, with an orchestral backing that matches the solo part for interest and variety. Mozart balances forcefulness, elegance and wit with perfect ease. The dreamlike andante is based on the simplest of materials; its effect, nevertheless, is magical whilst the concluding rondo echoes with the laughter of comic opera. The much earlier Symphony No.26 is scattered with dramatic touches reminiscent of the ‘Sturm und Drang’ symphonies of Haydn.
Returning to the intimate setting of Bristol’s Victoria Rooms for the fourth concert of their season, Fateful Fourth guarantees Russian drama and rich Classical colour.
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Established in 1893 and the associate orchestra at Colston Hall, Bournemouth Symphony Orchestra brings world-class music to the South and South West of England.
Welcome to Bristol Beacon
On Wednesday 23 September 2020 Colston Hall changed its name to Bristol Beacon.
Our new name is just the first step, it is about more than the sign above our door. Click below to find out more about how we’re changing, watch our name announcement, and discover how we want everyone to share in the joy of live music.