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Trip the Light Fantastic: Extended Concert Programme | Thu 30 Nov

Refracted light beams

Bristol Beacon & Paraorchestra present

Trip The Light Fantastic

Paraorchestra with Surgeons Girl, Charles Hazlewood, and Limbic Cinema

Thu 30 Nov 2023, 7pm & 9.30pm
Bristol Beacon

Produced by Paraorchestra
Commissioned by Bristol Beacon

Lead Artist and Composer – Surgeons Girl
Conductor – Charles Hazlewood
Illuminated by Limbic Cinema
Responding Composer – Oliver Vibrans

Prelude to a Beginning Composer – Asteryth Sloane

Running time: 75 minutes

 

Welcome

It is a privilege and an honour to welcome you here tonight. I have no doubt that this will be an incredibly special and celebratory evening and the perfect note on which to open Bristol Beacon.

We have built a wonderful place full of warmth and light, where music lovers meet and everyone belongs. This building is our engine. It is our home. Bristol’s stage. We thank you all for your belief in the power of music and that Bristol deserves a world class venue.

This is for you.

Louise Mitchell CBE
Chief Executive, Bristol Beacon

 

This is a moment of enormous significance. This glorious venue reopens as a beacon of brave new hope, possibility and inclusivity and as Associate Artists of Bristol Beacon we are delighted to present this brand new commission in celebration of that.

Paraorchestra is the only orchestra in the world actively recruiting and nurturing exceptional disabled talent whilst creating music that subverts accepted norms, challenging absolutely anyone’s belief that an orchestra is not for them.

But all pioneers need friends, and the success of Paraorchestra to date can be ascribed in no small part to friends like Bristol Beacon.

Charles Hazlewood
Artistic Director, Paraorchestra

Tonight’s performance

Trip the Light Fantastic embodies Paraorchestra’s spirit of adventure in the very nature of its composition.

It’s not just as simple as a musician writing a score and an orchestrator creating a seedbed of sound to be played underneath. Sinead McMillan’s – aka Surgeons Girl’s – electronic compositions have been transmuted into orchestral parts by responding composer Oliver Vibrans.

Throughout the creation of the show, these were performed by and improvised upon by Paraorchestra musicians. The resulting sounds are then mixed, dubbed, and modulated live by Oliver and Sinead, bouncing the music back and forth between each other and adding new layers at every turn.

It’s in this collaborative spirit that we approach all of our music making at Paraorchestra, involving the individual personalities within the orchestra so that they have a hand in the growth of a piece. They’re not jjust turning up to rehearse a fait accompli, they’ve been fertilising it from the off. I hope it shows when you hear it.

It’s been a joy to finally work with the extraordinary Limbic Cinema whose work we have admired from afar for a while. This talented team have immersed themselves in Sinead and Oliver’s music to create a visual response that more than matches our intrepid soundworld. Expect to see the hall illuminated in a way that shows off its lines, beauty, and majestic new form.

In just a few moments, the evening will open with the enticingly titled Prelude to a Beginning; a new composition by Paraorchestra’s very own Asteryth Sloane, a shimmering, sensual work rising from primordial silence and focusing us to the stage.

Many may already know that “trip the light fantastic” is a phrase attributed to the seventeenth century English poet, John Milton, one of the first and most celebrated proponents of freedom of expression. In creating a work for a space of unbridled creativity, this feels like a fitting touchpoint as we celebrate a radiant new beginning for Bristol Beacon.

Charles Hazlewood
Artistic Director, Paraorchestra

About Paraorchestra

Paraorchestra create large scale dynamic music experiences, blending artforms and technology to create innovative new ways of experiencing orchestral music.

Created in collaboration with their ensembles of professional disabled and non-disabled musicians, and artists across artforms and genres, Paraorchestra’s work appeals to the widest audience, and is radically shifting outdated perceptions of orchestral music and of disability.

Under the Artistic Direction of award-winning conductor, Charles Hazlewood, Paraorchestra seeks to disrupt and reinvent the orchestral norm. Whether marching a 50—piece karaoke pop ensemble through suburban streets, headlining a main stage at Glastonbury Festival with Philip Glass’ Heroes symphony, or reworking pioneering electronic music in a nightclub; Paraorchestra is sharing relevant and dynamic orchestral music with audiences that otherwise may not have engaged with an orchestra. Their partnerships with broadcasters Sky Arts and Real World Records have taken their work directly into the homes of millions across the globe.

Of their full playing strength nearly 40 Paraorchestra musicians identify as disabled, D/deaf, or neurodivergent. They are the only orchestra in the world pro-actively increasing their representation of professional disabled players, removing the barriers that prevent disabled players from performing at their very best.

In Autumn 2023 Paraorchestra launched an extensive Artist Development programme, created in recognition of a lack of professional support and development opportunities for musicians identifying as disabled. Huge expansion of their existing programme of work – including paid residencies and workshops – will provide meaningful opportunities for world-class music making and give those that identify as disabled an advantage for their career development.

www.paraorchestra.com

About Bristol Beacon

Bristol Beacon is a music charity, renowned venue and award-winning music education hub.

With a city-wide programme of live music, creative learning opportunities and community engagement, we’re here to help make space for music every day, with everyone. With you!

A place of welcome, warmth and light, we extend an open invitation to the city for everyone to come and share in the joy of live music and celebrate this in everything we do.

Our purpose is to share the unity and joy of live music. We do this through an artistic programme of music performance which, during the transformation of Bristol Beacon, includes over 200 gigs and concerts per year in over 35 partner venues across Bristol and Bath.

As the city’s music hub, we run a programme of creative learning reaching over 30,000 young people every year from Beacon Music Centre in Southmead and across Bristol’s schools.

We offer support for creatives giving emerging artists and industry professionals the tools they need for a successful career in the music industry.

And we collaborate with Bristol’s diverse communities on projects to ensure music is at the heart of our city.

Discover more about our transformation.

Artist Biographies

Charles Hazlewood, Artistic Director
Paraorchestra

Award-winning conductor (EBU Conducting Competition 1995, 1st Prize) Charles Hazlewood has worked with many of the world’s greatest orchestras including Royal Concertgebouw of Amsterdam; The Philharmonia; Swedish Radio Symphony; Danish Radio Symphony. A visionary with a mission to bring the joy of orchestral music to a 21st Century audience, his collaborations with artists span genres and generations and include Nigel Kennedy, Goldie, Squarepusher, and Wyclef Jean. He has authored, presented, and conducted in multiple landmark and award-winning films for BBC and Sky Arts; won three Sony Radio Academy Awards for his shows on BBC Radio 2 and 3; and composed scores for multiple critically-acclaimed theatre productions. He was a Castaway on BBC Radio 4’s Desert Island Discs in 2020; has three TED talks to his name; is Sky Arts’ Ambassador for Music; and in 2023 was honoured by leading charity Making Music with the Sir Charles Groves prize for his “outstanding contribution to British music”

www.charleshazlewood.com

 

Surgeons Girl

Surgeons Girl is a composer working with Analogue hardware, vocals, piano and generative visuals with influences which lie in both the ambient and techno genres, weaving emotive and enveloping sounds from her instruments with a remarkable introspective feel and sonic maturity, drawing on influences from the likes of Laurel Halo, Caterina Barbieri, and Dasha Rush. Her A Violet Sleep EP marked a stunning, dream-like debut for the Bristol based artist on the Bristol label, Livity Sound. She followed this up with The Empress Moss on London label Inside Out Records and then Sever earlier this year on Barcelona label, Lapsus Records.

 

Oliver Vibrans

Oliver Vibrans is an Ivor Novello award winning Composer, writing music for the concert hall, theatre, film, art installations and radio. His most recent work includes Duet for One at The Orange Tree, Richmond; The Solid Life of Sugar Water, winner of best production at the Offies 2022; Hatchet Job for Royal Northern College of Music; The Music and Meditation Podcast for BBC Concert Orchestra; and Monomyth for the Halle. He has also composed music for two episodes of Charles Hazlewood’s documentary Reinventing the Orchestra for Sky Arts with Paraorchestra; Treading Water for the BBC Philharmonic; and More Up, a piece for Chamber orchestra and electronics for The Halle, BBC Philharmonic and The Able Orchestra. Oliver has won an Ivor Novello award and been nominated for a Royal Philharmonic Society award.

 

Asteryth Sloane

Asteryth Sloane (formally known as Xia-Leon Sloane) is a composer and trainee psychotherapist. Graduating from the Royal Northern College of Music in 2022, their academic work explored Ethical Listening – a way of engaging with the rights of sounds and sound sources that opens the way for closer, more equal sonic relationships. Asteryth’s music responds to the beauty and fragility of the living Earth and embodies aspects of queer and autistic experience. This year they have a residency with Paraorchestra, during which they are creating an album exploring music’s place in a therapeutic healing process.

Credits

Musicians

Violin I
Tzu-Fan Tang
Siobhan Clough
Anna Croad
Alberto Vidal Borella

Violin II
Sophie Belinfante
Fra Rustumji
Hannah Bell 

Viola
George White
Tilly Chester
Georgie Davis 

Cello
Tom Wraith
Hattie McCall Davies 

Double Bass
Patrick Phillip
Martin Lüdenbach 

Flute
Chloe Vincent (db. piccolo)
Lila Bhattacherjee (db. piccolo and alto flute)
Deronne White (db. bass flute)

Oboe
Ben Marshall (db. cor anglais)

Clarinet
Lloyd Coleman (db. E-flat clarinet and bass clarinet)
Matthew Scott (db. bass clarinet)

Alto Saxophone
Fliss Gorst (db. soprano saxophone and clarinet)

Bassoon
Ashley Myall
Linton Stephens (db. contrabassoon)

First Horn
Millie Lihoreau

French Horn
Hannah Wilkins
Guy Llewellyn
Chris Griffiths

Trumpet
Sarah Campbell (db. flugelhorn)
Rebecca Crawshaw (db. flugelhorn)

Trombone
Billy Yates
Sion Jones
Yusuf Narcin (bass)

Synthesiser
Ross Hughes (db. celeste)
Drew Morgan

Drums
Seb Rochford

Percussion
Beth Higham-Edwards
Harriet Riley
Elaine So

Roborecorder
Liza Bec

Electronics
Steve Varden

 

Production team

Monitor Engineer
Ed Adams

RF and Stage Patch
Alec Barrie

Photography
Paul Blakemore

Production Manager
Hannah Chittell

Music Copyists
Rebecca Devereux
Liam Taylor-West

Producers
Sarah Dennehy
Erica Dellner

Audio Describer
Willie Elliot

Medical Assistant/ Covid Supervisor
Gemma Honeyman-Brown

Freelance Marketing Support
Rhian Hughes

Sound Engineer
Bob Leadbeater

Click Track Operator
Patrick Phillips

BSL Interpreter
Kyra Pollitt

Live Mixing
Liam Quinn

PA to Tilly Chester
Gabrielle Sheppard

PA to Asteryth Sloane
Carmel Smickersgill
Holly Beasley-Garrigan

Technical Assistant to Steve Varden
Lewis Sykes

 

Limbic Cinema

Creative Direction and Video Design
Tom Newell
Thom Buttery
Tom Price

Notch/Pixera Programmer
Barret Hodgson

Projector Technician
Kat Zaharova

Lighting Design
Jen L Roxburgh

Lighting Programmer
Imogen Clarke

Producer
Thea Woodrow

Executive Producer
Anita Westmorland

 

Paraorchestra Team

For their work on and off Trip the Light Fantastic:

Assistant Music Director
Siobhan Clough

Associate Music Director
Lloyd Coleman

Producer
Ailie deBonnaire

Senior Producer (Artist Development)
Helen Edwards

Head of Communications
Laura Evans

Assistant Producer
Caitlin Fairweather

Chief Executive
Jonathan Harper

Artistic Director
Charles Hazlewood

Marketing & Digital Comms Manager
Ben Horton

Senior Producer (Projects)
Luke Macpherson 

Marketing Coordinator
Kerrie Nicholson

Project Coordinator
Tiara Pillant

General Manager
Esther Poole

Lauren Scholey
Fundraising Consultant

Programme Director (Deputy CEO)
Hannah Williams Walton

Orchestra Manager
Tom Wraith

Trip The Light Fantastic is made up of eight movements:

  • Iron & Lace
  • Dither
  • Dub
  • Tears of an Actress
  • Chaos in Clock
  • Death & Reign
  • Almost Melody
  • Trip the Light Fantastic

Paraorchestra wish to thank

Our Chair Giles Gibbons and all of the Paraorchestra Trustees.

Paraorchestra Trustees

Giles Gibbons (Chair)
Clarence Adoo MBE
Rylan Gleave
Jenny Grey
Jane Jones
Kate Marsh
Louise Mitchell CBE
Kevin Satizabal

As a registered charity (no. 1163725) Paraorchestra are grateful for the support of their core funders Arts Council England, Esmée Fairbairn Foundation, The Mark Leonard Trust, The Linbury Trust and Garfield Weston Foundation.

Bristol Beacon wish to thank

With heartfelt thanks to all Bristol Beacon staff and trustees, and all the project staff who have built this transformative space as well as our supporters and partners.

Bristol Beacon Trustees

Marti Burgess
Simon Chapman (Chair)
Cllr Craig Cheney (Bristol City Council)
Jonathan Dimbleby
Katharine Finn
Craig Gentle
Tanya Lacey
Sandra Meadows MBE, FRSA
Sonia Mills
Louise Mitchell CBE
Andrew Nisbet
Tim Westwell

Our transformation has been made possible thanks to the visionary support of: Bristol City Council, Arts Council England, HM Government, The National Lottery Heritage Fund, WECA, Bristol Water, Burges Salmon, Foyle Foundation, Garfield Weston Foundation, Jack and Monica Britton Trust, St James Place, John James Bristol Foundation, Nisbet Trust, Quartet Community Foundation and The Wolfson Foundation.

Over 9,000 individuals have made one-off donations to the transformation project, with contributions ranging from £5 a month as a seat namer up to a £1 million gift.

Our heartfelt thanks to you all.

Bristol Music Trust is a charity registered in England & Wales (no. 1140898)