Bournemouth Symphony Orchestra

With the Russian Revolution raging in the background, Prokofiev hit upon the idea of writing his first symphony as though Haydn were still writing music in 1917. Nicknamed the ‘Classical’, the result is wonderfully light-hearted and whimsical, and not without a certain amount of impertinence for the classical form, meshing the tradition of clarity and formality with the renegade spirit of his early works.

Schumann’s concerto, although outwardly resembling those of Mozart and Beethoven, broke new ground in several respects. Most strikingly it moved away from the contemporary use of the concerto as a showcase for the virtuoso pianist. Instead, piano and orchestra form an integrated whole, weaving subtle textures together with delightful lyricism.

It was whilst working through his period of crisis with the onset of deafness that Beethoven completed the Second Symphony. It bears marks of his emotional turmoil despite the often exuberant and beautiful surface of its music, but above all this symphony is a testament to Beethoven’s ability to transcend his own troubles in order to create beauty.

Beethoven Now

Marking the bicentenary of Beethoven’s death in March 1827, this season Bournemouth Symphony Orchestra and Mark Wigglesworth begin a chronological journey through Beethoven’s symphonies. Eight concerts will span the 2026/27 season and the first half of 2027/28.

In addition to their performances of the symphonies, the BSO will host a series of special events across this and next season engaging with Beethoven beyond the music – through performance, discussion, and debate.

Visit Beethoven Now for full details, ticketing information and how to book for Beethoven Now events.